A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arran...(展开全部)

A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arran...(展开全部)

He was the enfant terrible of graphic design in the nineties. His tortured typography prompted a vocal camp of critics to accuse him of being flippant and of destroying the communicative basis of design. But now the techniques of David Carson (and those of his countless imitators) dominate advertising, design, the Web, and even motion pictures. With 35,000 copies of the origina...(展开全部)

He was the enfant terrible of graphic design in the nineties. His tortured typography prompted a vocal camp of critics to accuse him of being flippant and of destroying the communicative basis of design. But now the techniques of David Carson (and those of his countless imitators) dominate advertising, design, the Web, and even motion pictures. With 35,000 copies of the origina...(展开全部)

Ansel Adams produced some of this century's truly memorable photgraphic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the third volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to explore the artistic possibilities of printmaki...(展开全部)

Ansel Adams produced some of this century's truly memorable photgraphic images and helped nurture the art of photography through his creative innovations and peerless technical mastery. This handbook - the third volume in Adam's celebrated series of books on photographic techniques - has taught a generation of photographers how to explore the artistic possibilities of printmaki...(展开全部)

罗伯特·达恩顿（Robert Darnton），1939年出生，美国艺术与科学院院士，著名欧洲史专家，文化史、阅读史研究的领军人物，出版著作有《拉莫莱特之吻：文化史的反思》《法国大革命前的畅销禁书》等。 丹尼尔·罗什（Daniel Roche），1935年出生，法兰西学院教授，法国旧制度末期文化史权威专家，出版著作有《启蒙运动中的法国》《外省的启蒙运动》等。 汪珍珠（译者），北京师范大学副教授，译有《法国大革命中的政治、文化和阶级》《法国人民：四个世纪、五个地区的历史》。

The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting wit...(展开全部)

The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting wit...(展开全部)